#AtoZChallenge in China: Yungang Grottoes and More of Ancient Shanxi

We’re down to the last two entries for #AtoZChallenge in China! I can’t believe I reached this far! In today’s challenge, I have two blogs: a visual tour of the Yungang Grottoes in Ancient Shanxi Province and another blog about Yǎnyuán (演员 or “actor”), a popular Chinese song by Xue Zhiqian.

Yǎnyuán was originally my scheduled post for Y but last week I went to Shanxi Province for a short break. I completely forgot about the Yungang Grottoes that contain 51,000 Buddha statues! Want a life-sized one? You have it there. Want a smiling Buddha? You also have it there.
Our trip to Yungang was a part of a tour in Ancient Shanxi where we also went to the Hanging Temples of Shanxi and the Huayan Monastery in provincial capital Datong.
By the time of writing (10.45 am Beijing time) I’m on my way to an island in Hebei Province… so it’s quite a rush blog.

Y is for Yungang Grottoes
Here is some information about the Yungang Grottoes (our tour group Foreigner in China Network lifted this from a website, but I will update this part with more of my observations and musings once I get home).

Yungang Grottoes were built against the mountain and extend about 1 km (0.62 miles) from east to west. The construction of the caves was started under the auspices of the noted monk Tan Yao in 453 and took 50 years to complete. Some 40,000 people, including the Buddhists from what is present Sri Lanka, contributed to the huge project.
The 53 grottoes in Yungang Grottos include some 1,000 niches with about 51,000 statues – a treasure-trove of cave art that combines traditional Chinese art forms with foreign influence, particularly Greek and Indian. Sculptures here are noted for their vigorous features and rich variety that range from the smallest, only 2 centimeters high, to the tallest – a Buddha 17-meters high. The tallest Buddha is surrounded by many small Buddhas in Grotto No. 5, also called the Big Buddha‘s Cave.

The Yungang Grottoes are divided into three zones: east, west and central and numbered from east to west. Grottos No.1 and No. 2 are located in the east zone. Statues and sculptures inside these caves have been severely damaged by exposure to the elements, but still preserved in the east zone are relief sculptures of Buddhist stories on the lower part of the eastern wall of Grotto No. 1. Inside the entrance of the Yungang Temple is an impressive four-storeyed wooden façade with glazed top outside the Grottos Nos. 3, 4 and 5.

Most of the grottoes are in the western zone, and each has its own character. Grotto No. 20 – one of the five earliest caves of monk Tan Yao – houses the sitting statute of Sakyamuni, 13.7 meters high, with a full and round face with a majestic smile, slim lips and a high nose, ears that extend almost to the shoulders, radiant eyes and broad shoulders. Sakyamuni statue is representative of Buddha sculptures in Yungang Grottoes.
Over the past 1,500 years since their completion, Yungang Grottoes have been damaged by both war and natural disasters. After the founding of the People‘s Republic of China in 1949, the Chinese government attached great importance to the preservation of the grottoes. A special Yungang Grottoes protection institution was set up in 1995, and in 1961, the State Council listed Yungang Grottoes as key cultural site under its protection. In 1965, the Datong municipal government issued and implemented the Programs for the Protection Scope and Safety of Yungang Grottoes. From 1973 to 1976, under the instruction of Premier Zhou Enlai, China injected a huge sum of money into the grottoes, rescuing many grottoes and caves that had been on the verge of collapse.
In recent past ten or so years, the Datong municipal government has intensified its efforts to protect the Yungang Grottoes. Huge investment has been made to get rid of illegal construction and to intensify landscaping efforts at the site. In December 2001, the 25th meeting of UNESCO World Heritage Committee in Helsinki, Finland, passed a decision to list Yungang Grottoes on the World Cultural Heritage List.

Let’s go now to other places in Shanxi. In this part, I feature the Hanging Temple, situated on the northeastern side of Mount Hua.

And now let’s go to the provincial capital, Datong. The city still contains the old imperial walls, and there are ongoing renovation and reconstruction on one of the wall sections. The interesting thing there is the mix of architecture – the old city feel against the sprawling skyscrapers and residential complexes.


Next on #AtoZChallenge in China — well not the Challenge anymore as we return to my regular Bucket List series. Though we’ll continue the visual tour of Ancient Shanxi at the Huayan Monastery in Datong, so stay tuned!